• Main
  • BIO
  • SELECTED ART WORKS
    • Our voices together, bouncing off the walls
    • If you close your eyes you will see what is really there
    • If People Powered Radio
    • Barrio//Baryo
    • A ripple and an echo
    • We will dance by the light of the moon
    • A Steady Backbeat
    • Rhythmic Traces
    • Dub Karaoke Time Machine
  • GENERAL FEELINGS SOUNDSYSTEM
  • MUSIC//MIXES
  • PUBLISHED WRITING AND AUDIO WORKS
  • REVIEWS/INTERVIEWS/LINKS
  • Sidney Myer Creative Fund Support Material
    • Flute/Cane Video
    • CV
    • Records of Displacement
    • Sound reel
  • Menu

Lucreccia Quintanilla

  • Main
  • BIO
  • SELECTED ART WORKS
    • Our voices together, bouncing off the walls
    • If you close your eyes you will see what is really there
    • If People Powered Radio
    • Barrio//Baryo
    • A ripple and an echo
    • We will dance by the light of the moon
    • A Steady Backbeat
    • Rhythmic Traces
    • Dub Karaoke Time Machine
  • GENERAL FEELINGS SOUNDSYSTEM
  • MUSIC//MIXES
  • PUBLISHED WRITING AND AUDIO WORKS
  • REVIEWS/INTERVIEWS/LINKS
  • Sidney Myer Creative Fund Support Material
    • Flute/Cane Video
    • CV
    • Records of Displacement
    • Sound reel

Editor of The Place in Which I Fit Won't Exist Until I Make It by Samira Farah, AM Kanngieser, Joe Miranda and Del Lumanta

https://www.cyclicdefrost.com/2021/09/papaphilia-remembrance-of-things-to-come-by-heavy-machinery-records/

Brian Fuata’s Generous Opacity - Essay written for the Anti-Live Art Festival Publication, Finland

Review of Famili

Contra La Pared: Reggaetón and Dissonance in Naarm, Melbourne

Review of Salt. Selena Thompson

Review of Respectable Thief by Nastio Mosquito

Audio for broadcast "listening through walls" Radia Network.

Chapter excerpt from MFA exegesis. Chapter Three

Collaborative text with Léuli Eshrahi